Best Costume Design

Mirror Mirror (2012) Review | Jamie Daily

Mirror Mirror (2012)
85th Academy Awards 2013
3/5 Stars
Nominated for 1 award.
Nominated for Best Costume Design (Eiko Ishioka).
Watched June 23, 2014.

Lately a lot of fairytale remakes have been surfacing.  The summer of 2012 saw two different takes on Snow White.  Snow White and the Huntsman took a darker approach with impressive special effects and love triangles.  Mirror Mirror is a comedy first, excellent display of costuming second, and pretty okay movie all around.  It was a corny, good kid friendly movie and my inner child really enjoyed it.

If you are unfamiliar with the story of Snow White, know that the film follows the basic plot line with some stabs at originality.  The Queen (Julia Roberts) married the King (Sean Bean), who promptly disappears, leaving behind his beautiful daughter named Snow White (Lily Collins) who is abused by the jealous, youth obsessed Queen.  She meets a Prince Alcott (Armie Hammer) but is chased from the kingdom by the Queen who wants her dead.  She comes upon seven dwarves, who are not named things like Grumpy, Dopey, and Doc in this version, and joins them after some resistance on their part.

There are other unique aspects of the film, but the biggest is the comedy.  There is a cute, although fairly childish bit in which the Queen accidentally switches a love potion with a puppy love potion and the Prince’s affections for her become something other than what she wished for.  The dwarves are also outcasts who enjoy robbing people instead of mining and Snow White learns some moves while she stays with them.

The costumes are clearly a highlight of the film.  Both original and mostly colorful, I really enjoyed their unique flavor.  The whole film seeks to add new spins on a classic story.  The dark forrest, the village of the kingdom, the court life, everything in-between has an unrealistic quality that adds to the charm of the storyline.  To be quite honest, the film isn’t a knock-out artistically, or even technically, but it was certainly entertaining and fun.

Roberts is definitely a standout as the Queen.  Her brand of crazy is more comical and magical.  She undergoes ridiculous beauty treatments and her “mirror on the wall” is certainly depicted differently than one might expect.  The romance is sappy, the plot is predictable, and the roles seem less than challenging, but as a whole the fun and colors won me over and Mirror Mirror is probably going to become one of my guilty pleasures.

I would definitely recommend this film if you have kids or if you are a Julia Roberts fan.  I had no desire to see the film from the marketing, but upon seeing it I truly enjoyed it.  If you have the time, it might be worth a watch if you can stomach the cutesy execution.

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American Hustle (2013) Review | Jamie Daily

American Hustle (2013)
86th Academy Awards 2014
4/5 Stars
Nominated for 10 awards.
Nominated for Best Picture (Charles Roven, Jonathan Gordon, Megan Ellison, Richard Suckle), Best Actor (Christian Bale), Best Actress (Amy Adams), Best Supporting Actor (Bradley Cooper), Best Supporting Actress (Jennifer Lawrence), Best Costume Design (Michael Wilkinson), Best Director (David O. Russell), Best Film Editing (Jay Cassidy, Alan Baumgarten, Crispin Struthers), Best Production Design (Judy Becker, Heather Loeffler), and Best Original Screenplay (Eric Warren Singer, David O. Russell).
Watched June 5, 2014.

David O. Russell is becoming an unstoppable director in recent years.  From The Fighter to Silver Lining’s Playbook, and now onto American Hustle, he groups his favorite actors together in this film to punch out another excellently made, sharp piece with similar humor that we all loved in Playbook.  Christian Bale, Bradley Cooper, Amy Adams, and Jennifer Lawrence are the revisiting dream teams, but their performances are complimented this time by Jeremy Renner, Louis C.K. and other big names in the industry.  The star studded cast combined with the fabulous director should be a recipe for greatness, and although the film took home zero Oscars on awards night, it was certainly a strong contender.

The story is a little unoriginal and one we have seen often.  It is the late 70s and early 80s.  Irving Rosenfeld (Bale) is a small time scammer married to a young woman named Rosalyn (Lawrence).  When he meets vivacious Sydney Prosser (Adams)–if that is her real name–he falls in love and ropes her into his business.  They’re eventually cracked by the feds and ambitious Richie DiMaso (Cooper) offers them a deal to get off the hook.  If they will help him to take town some big time scammers they’ll walk.

Irving is a piece of work, and an excellent character, which is probably what attracted Bale to the part.  The opening scene shows precisely how the man creates his masterpiece of a combover, complete with hair piece.  He knows what he wants and how to get it but he also knows when things aren’t right.  Sydney might turn out to be better than him, but I’ll let you decide on that front.

Despite the fact that Rosalyn knows about Sydney, she comes off as a few crayons short of a set and is constantly setting things on fire or talking about her manicures.  She is surprisingly dangerous and passive aggressive.  In true Lawrence-fan fashion, she was one of my favorite characters in the film.  She brings a different side to the comedy that the other characters don’t, although everyone seems a bit gaudy.  As Christy Lemire  from Roger Ebert says, “Her complexity and unpredictability make her fascinating to watch—she’s just unhinged enough to think she’s the voice of reason—and Lawrence is a radiant scene-stealer.”

The costuming is truly on point.  Sydney is obsessed with the plunging neckline.  Just as distracting is Richie’s head of incredibly curly hair (which he curls every night).  Each character is so delectably unique, and yet somehow the story line doesn’t get bogged down with their loud, semi-insane character arcs and holds things together surprisingly well.

Jeremy Renner plays the mayor, Carmine Polito, who is one of the many they are trying to scam.  He is a big time family man who passionately wants to make a difference in the city, but unfortunately his methods are against the law and Richie is chasing after him.  Irving and Sydney have no choice but to go along.  Rosalyn is the loose cannon that could ruin the entire operation, and everybody knows it.  Instead of keeping her at home, they continue to take her to all of the events and set her free.

The big personalities are a recipe for disaster within the film, but outside of that, everything came together fairly well.  Russell went at the con artist angle with more humor than we typically see.  This is perhaps an attempt to make the plot more unique, but really it’s just a rehash of everything we have all ready seen out of Hollywood.  Everything is executed well, as you can tell from the list of nominations, but what was missing was the twist of originality we typically see from the director and his star studded team.

The film is rated R, but is a great comedy with a lot of wit, laughs, and ridiculous situations.  I can appreciate this type of humor a lot more than something like “Ted.”  If American Hustle sounds like something you would enjoy, I would definitely recommend it.

The Grandmaster (2013) Review | Jamie Daily

The Grandmaster (2013)
86th Academy Awards 2014
2/5 Stars
Nominated for 2 awards.
Nominated for Best Cinematography (Philippe Le Sourd) and Best Costume Design (William Chang Suk Ping).
Watched May 24, 2014.

I wanted to like The Grandmaster so badly!  I was really unsure what I was getting into when I started watching it, but I roped my husband into it because I knew it was about martial arts.  It is certainly a unique shooting style with a lot of artistry and strong technique, however its plot was so slow moving that it lost my attention multiple times and I found myself caring little for what was going to happen in the end.

The film is the story and history of martial arts, but is specially focused around Ip Man (played by Tony Chiu Wai Leung), a martial arts master who would eventually train Bruce Lee.  Ip Man was a master during the republican era of China in which the dynasty falls.  He is surrounded by greatness and is inspired, patient, and a true believer in the art.  He becomes attracted to the daughter of a master from the north, despite already having a wife and children.  As the dynasty falls and Japan invades, he is forced to Hong Kong in search of work, but is stranded there when the borders close.  Everyone is claiming to be a martial arts master and fights break out everywhere.  There are very few true masters teaching the art and holding to the old ways.  Ip Man is hit on all sides by life, but is able to open a school that will one day attract the likes of Bruce Lee.

The film’s third main character is time.  Ip Man’s relationship with both kung fu and his love interest Gong Er (Ziyi Zhang) are told through a manipulation of time.  Whether the story line is sped up or slowed down, the master is always a presence of calm in the storm.  A calm demeanor, however, does not always mean happiness.  Even the best can be overcome by emotion, especially if the emotion is revenge.  Gong Er’s legacy and family are practically stolen from her, and no matter what it means for herself, she seeks to restore her family honor above all else.  They are wise, but cannot escape time, just like the rest of us.

The cinematography is particularly dark.  When there are joyful times, there is light and color and tradition, but as the invasion happens, everything becomes shrouded in darkness pierced by sharp reds.  The film is truly a piece of art, but its style is a tad over exaggerated and over saturated for my taste.  It becomes so wrapped up in itself (most especially in its over-use of slow motion) that although the kung fu is truly magnificent, it gets lost in its presentation.  Perhaps it is good that it is not flashy and bright, or unrealistic like typical Hollywood.  It is much deeper and more meaningful this way–just very redundant.

If you enjoy films that are more pieces of art than entertainment, this could probably be one you would enjoy.  I don’t think that I will ever seek out The Grandmaster again, and nor do I think it impacted my life, but I don’t regret my time spent watching it either.

12 Years a Slave (2013) Review | Jamie Daily

12 Years a Slave (2013)
86th Academy Awards 2014
4/5 Stars
Nominated for 9 awards, of which it won 3.
Nominated for Best Actor (Chiwetel Ejiofor), Best Supporting Actor (Michael Fassbender), Best Costume Design (Patricia Norris), Best Director (Steve McQueen), Best Film Editing (Joe Walker), and Best Production Design (Adam Stockhausen, Alice Baker).
Won Best Picture (Brad Pitt, Anthony Katagas, Dede Gardener, Jeremy Kleiner, Steve McQueen), Best Supporting Actress (Lupita Nyong’o), and Best Adapted Screenplay (John Ridley).
Watched April 23, 2014.

12 Years a Slave is based off of the memoirs and book of Solomon Northup, a free black man who lived in the north in the 1800s and was kidnapped and sold into slavery.  This is no Quentin Tarantino’s Django.  This is raw, and somehow artistically balanced to give a small taste of what Solomon went through during 12 years in slavery in southern plantations.

 

Solomon (Chiwetel Ejiofor) fights for his freedom from the beginning, but the crippling terror and the ruthless inhumanity of the slavers beat him down into survival mode.  His fight becomes smaller and his caution greater.  His first owner is kind, as plantation owners go, but a run in with a power corrupt plantation hand lands him with the only owner who will take him.  Edwin Epps (Michael Fassbender) is matched in evilness only by his wife.  He has a lust for the slave Patsey (Lupita Nyong’o), which has her physically and verbally abused repeatedly by the married couple.  Shortly after Solomon comes to the plantation, Patsey begs him to kill her.  After this they form a painful relationship that is more out of mutual understanding than of affection.  Solomon is a good man.

 

His ability to read and write must be hidden, but his intelligence and education helps get him out of many tight spots.  He still endures punishments we can barely fathom.  He spends a full day hanging from a noose with only his toes touching the ground.  He dares to hope and trust in few men, because those he takes a chance on are looking out for themselves and no one else.

 

((SPOILERS)) The one let down for me in casting was actually Brad Pitt who plays Bass, a Canadian who comes to work on the plantain to make some money.  He doesn’t agree with slavery, but Solomon calls him out to act on his beliefs.  For me, Pitt is so well known and so trustworthy that his appearance was a sure sign that Solomon’s salvation would come through him.  I wish they had chosen a lesser known actor to maintain suspense and realism.  ((End spoilers))

 

The film itself is artistic in nature.  Although most of the story line is linear, the director chooses a few painfully long sequences in order to communicate Solomon’s emotions.  He symbolically expresses an event or emotion when typical hollywood editing and story telling don’t seem to do an adequate job.  Solomon’s experience with the noose is long and drawn out.  Almost long enough for the viewer to go to the bathroom in the middle and not miss anything.  I cannot decide if I think this is a strong choice or a weak choice.  The style reminded me a lot of Beasts of the Southern Wild.  I almost wished for a little more story and less pause, but I can understand the choices of the director.

 

There are very few times that I can appreciate nudity in a film, but this is one of them.  The slaves are stripped of identity, dignity, respect, and humanity.  They bathe in the open, men and women together, watched by slavers.  They stand nude as plantation owners shop and decide who to purchase.  They are stripped naked and lashed to poles where they are whipped for things like wanting soap.  Although this symbolism is more obvious than others in the film, it showed a very raw side of the slavery culture.  Fed by their own justifications, the plantation owners were sick with the twisted logic of the south that believed that slaves were property and nothing more.

 

If you can take it, you should watch 12 Years a Slave.  In fact, even if you don’t think you can take it, you should watch it.  It has its flaws as a film, but its underlying message and its strong elements in acting and artistry are what won it the Oscar for best film this year.

 

Lincoln (2012) Review | Jamie Daily

Lincoln (2012)
85th Academy Awards
3/5 Stars
Nominated for 12 awards, of which it won 2.
Nominated for Best Picture (Steven Spielberg, Kathleen Kennedy), Best Director (Steven Spielberg), Best Supporting Actor (Tommy Lee Jones), Best Supporting Actress (Sally Field), Best Adapted Screenplay (Tony Kushner), Best Original Score (John Williams), Best Sound Mixing (Andy Nelson, Gary Rydstrom, Ronald Judkins), Best Cinematography (Janusz Kaminski), Best Costume Design (Joanna Johnston), and Best Film Editing (Michael Kahn).
Won Best Actor (Daniel Day-Lewis) and Best Production Design (Rick Carter, Jim Erickosn).
Watched February 27, 2014.

I have heard a lot of good things about Lincoln, and perhaps these things, along with Daniel Day-Lewis’ win at the Oscars made me expect too much.  As much as I tend to enjoy the pristine nature of a good Spielberg film, the stage like dialogue, production design, and cinematography left something to be desired.

 

President Abraham Lincoln is perhaps one of the most well remembered Presidents.  This film focuses on a small period of time around his reelection, just months before his assassination.  He is gunning for the 13th Amendment, which would abolish slavery, much to the chagrin of his cabinet.  Even some within the Republican party were hesitant.  Everyone wanted peace from the Civil War.  They wanted their sons to stop dying in battle and for the South to come back to the nation.  The Democrats were vehemently opposed to the Amendment.

 

We all know what happens in the end, which takes away some of the mystery and suspense, although the filmmakers tried their best to keep the audience on the edges of their seats.  The representatives vote and threaten each other.  Lincoln is slow and yet eloquent.  He speaks strongly when needed but prefers a calm state and story telling.  In tense situations he commands the attention of a room by telling a story that might relate to the situation at hand.

 

The acting, particularly from Daniel Day-Lewis and Sally Field, is top notch.  They deliver difficult lines and portray a wounded spirit very well.  My favorite scene involving Mary Todd Lincoln (Field) is when she defends her remodel of the white house to some extremists, showing a bit of the gumption that Lincoln must have fallen in love with in the beginning.  The loss of one of her sons has all but done her in, but in this moment there is fire in her eyes, much like in the President’s when he expresses how disgusting slavery is.

 

He and his political party dance the line between peace and the freedom of slaves.  They believe that if they declare peace with the south before the Amendment is brought to a vote, there will be no sense of urgency and it will not be passed.  They employ questionable and typical techniques to “buy” votes and stall envoys.

 

Some of the story is much too slow, or maybe unnecessary.  I understand why they included the story line of Robert Lincoln (Joseph Gordon-Levitt), the son who wants to go to war, but it is so underused that it is more of a distraction from the main story than anything else.  It shows the fear of his parents and unearths more of their grief.  The emotions in these scenes are palpable, but the execution of the filmmaking is very staged.  There is a constant tug of war between filmmaker and actor in this film that I found very distracting.

 

Despite some negative attributes, the film is well done and deserving of its nominations as well as wins.  I would definitely watch it again, although I might not own it.  If you are a history buff you will probably really enjoy it.  I can recommend Lincoln as a good film, but you should expect it to be somewhat slow, dark, and quiet.