The Grandmaster (2013)
86th Academy Awards 2014
Nominated for 2 awards.
Nominated for Best Cinematography (Philippe Le Sourd) and Best Costume Design (William Chang Suk Ping).
Watched May 24, 2014.
I wanted to like The Grandmaster so badly! I was really unsure what I was getting into when I started watching it, but I roped my husband into it because I knew it was about martial arts. It is certainly a unique shooting style with a lot of artistry and strong technique, however its plot was so slow moving that it lost my attention multiple times and I found myself caring little for what was going to happen in the end.
The film is the story and history of martial arts, but is specially focused around Ip Man (played by Tony Chiu Wai Leung), a martial arts master who would eventually train Bruce Lee. Ip Man was a master during the republican era of China in which the dynasty falls. He is surrounded by greatness and is inspired, patient, and a true believer in the art. He becomes attracted to the daughter of a master from the north, despite already having a wife and children. As the dynasty falls and Japan invades, he is forced to Hong Kong in search of work, but is stranded there when the borders close. Everyone is claiming to be a martial arts master and fights break out everywhere. There are very few true masters teaching the art and holding to the old ways. Ip Man is hit on all sides by life, but is able to open a school that will one day attract the likes of Bruce Lee.
The film’s third main character is time. Ip Man’s relationship with both kung fu and his love interest Gong Er (Ziyi Zhang) are told through a manipulation of time. Whether the story line is sped up or slowed down, the master is always a presence of calm in the storm. A calm demeanor, however, does not always mean happiness. Even the best can be overcome by emotion, especially if the emotion is revenge. Gong Er’s legacy and family are practically stolen from her, and no matter what it means for herself, she seeks to restore her family honor above all else. They are wise, but cannot escape time, just like the rest of us.
The cinematography is particularly dark. When there are joyful times, there is light and color and tradition, but as the invasion happens, everything becomes shrouded in darkness pierced by sharp reds. The film is truly a piece of art, but its style is a tad over exaggerated and over saturated for my taste. It becomes so wrapped up in itself (most especially in its over-use of slow motion) that although the kung fu is truly magnificent, it gets lost in its presentation. Perhaps it is good that it is not flashy and bright, or unrealistic like typical Hollywood. It is much deeper and more meaningful this way–just very redundant.
If you enjoy films that are more pieces of art than entertainment, this could probably be one you would enjoy. I don’t think that I will ever seek out The Grandmaster again, and nor do I think it impacted my life, but I don’t regret my time spent watching it either.